Well, this is going to provide us with some
true watershed moments, I’m quite sure of that. First Terrace Dicks scripted
story – he co-wrote it with The Faceless Ones’ Malcolm Hulke. The two of them
had some great things in store over the next couple of years after this. Last
Troughton story (sob). Last story for Jamie and Zoe. Last story in black and
white. Last story in which we embarked upon it knowing virtually nothing about
the Doctor’s race and his people. Last story before the Doctor’s exile to
Earth.
I did say in my review of “The Space Pirates”
that I’m sure that the story is going to live up to its generally very high
reputation amongst the fans who have actually watched it. Partly this is based
on 45 year old memories of watching it first time round. Partly it’s based on
the Target novelization, and partly it’s based on what I’ve been told. It has Philip Madoc and Bernard Horsfall
among its guest cast as well, and both of those always seem to raise the
quality of the stories in which they appear. I only approach this story with a
slight trepidation about the length of it. We’ve already seen “The Invasion”
get away with 8 episodes without a huge dip in quality in the middle this
season, and so this one smacks of tempting fate. If we compare it with an even
longer story, “The Daleks’ Master Plan”, that story had some episodes which
were considerably weaker than others, and it could be even argued that it’s not
one 12 part story, but a 5 parter, followed by a 6 parter, with a pantomime in
the break. Well, coming back to “The War Games”, the only way to find out how
successfully the story is carried out is to watch it. So for the last time in
black and white, let’s do just that. As has become traditional with these epic
length stories, I shall split my review into two installments.
After
Watching
You know, I’m tempted to start off in neutral
tones, and leave you wondering for a while just how much I liked or loathed the
story. But I can’t. Remembering that I’m only talking about the first five
episodes, I still thought that this was absolutely great. The World War I
milieu for the setting of the first episode was a really good choice. Even now
I’m sure that it’s instantly recognizable to all but the youngest viewers, and
remember that the First World War was still in living memory when the story was
first broadcast 46 years ago. It’s
important to remember that the original audience wouldn’t have had any more
idea about what was actually going on in episode one than the Doctor has. For
me the first few episodes are beautifully paced, as there are little hints that
all is not what it seems to be, before the massive clue of the SIDRAT and the
video screen in General Smythe’s room.
It is possible to see some rather biting satire
on the way that the commanding officers acted during the First World War.
Smythe’s eagerness to condemn the Doctor to the firing squad on the flimsiest
of evidence – in fact pretty much no evidence at all, is a bitter echo on the
travesty of a court martial many men in the British Army received. General
Smythe’s excuse is that he really is inhuman, a member of the race of the war
lords. Field Marshal Douglas Haig’s excuses for refusing to grant clemency in
so many cases, thus condemning so many men to a firing squad are far more
difficult to accept. On a lighter note, we’re also reminded how so many
officers in the British Army during World War I were not really soldiers at
all, just men with the right educational or social background who were doing
their duty, through the way Captain Ransom is distracted into a discussion of
paperwork by Zoe while the Doctor is searching General Smythe’s room.
For a multi parter the pacing of the first five
episodes seems really well worked out to. In episode one you get time to get
used to the World War I setting, and just the clue that Smythe is more than he
seems with the whole hypno glasses thing. Then in episode 2 you see the first
SIDRAT and learn that something very strange is going on, and the cliffhanger
reveals even more as the Doctor drives an ambulance through some fog, and meets
the Roman Army charging him head on. If it’s your first ever exposure to the
story, then this will be the first time that you see that the World War I war
zone is just one of several.
Then the third episode takes us into the war
lords’ control room for the first time, and introduces the War Chief. I have to
give full marks to the late Edward Brayshaw who plays the War Chief, here. Like
most people who were kids in the mid to late 70s I remember him as Mr. Meaker
in the comedy series “Rentaghost”. Here, despite being encumbered by a late
entrant to the ‘most ridiculous eyebrows in Doctor Who’ stakes, and a medallion
so large he would have been laughed out of a late 70s disco for wearing it, he
gives a terrific and sustained performance. We’re only on episode 3! This
upping the ante with each episode is most appealing. Even knowing the story I
find it’s working effectively on me. It would have seemed even more amazing in
the 60s, first time round.
In episode 4 the Doctor and Zoe travel inside a
SIDRAT to HQ, and posing as students they attend a lecture on the processing
machines. At the end, the War Chief enters, and he and the Doctor clearly
recognize each other. BUT – and this was a stroke of genius on Hulke and Dicks’
part – having made this fact perfectly clear, they then make sure that the two
don’t actually meet or speak to each other. Then in episode 5 we get to see a
lot more of the hub, while the Doctor evades capture, and rescues Zoe, while
Jamie gets pally with the resistance back in the war zones, and they hi jack a
SIDRAT and come into the hub. It’s all go, I tell you.
I mentioned cliffhangers in the previous
paragraph, and I think I want to make a special mention of the cliffhangers in
the first half of this story. They’re really a rather good set, it must be
said. Episode 1 ends with the Doctor seemingly being executed by firing squad.
Episode two has the roman army bearing down on the ambulance with the Doctor
and friends, while they try in vain to get the engine started. Episode three
ends with the Doctor and Zoe’s SIDRAT dematerializing, leaving Jamie to face
the confederate soldiers who are firing indiscriminately into the barn where he
waits. Episode 4 has Zoe facing the newly reconditioned Lieutenant Carstairs
who is holding a gun to her head, about to pull the trigger. Then episode 5
shows Jamie and his resistance friends walking out of a SIDRAT into an ambush
which apparently leaves them dead on the floor.
Classic Doctor Who stories (other than Mission
to the Unknown) were never written or made to be watched in one sitting.
Despite this, though, I do tend to think that the acid test of a classic Doctor
who story is if you watch two episodes consecutively, and then you still want
to watch the next straightaway. I wouldn’t attempt to watch all 10 episodes of
“The War Games” in 1 sitting – partly because I don’t think it would be fair to
the story if I did. Once fatigue sets in I can’t be sure of giving any story a
fair hearing. But I did watch the first five episodes consecutively, and let me
tell you that they slipped down like butter, one after another. And nobody has
even said the words “Time Lord” yet.
What
Have We Learned?
Remember
those thick bottle lensed glasses that you always thought looked slightly
sinister? Now you know why.
No comments:
Post a Comment